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| P. H. Emerson, A Winter’s Sunrise, Marsh Leaves, 1895 |
É nas horas de maior abandono que a terra se abre para deixar o seu espírito flutuar, cobrindo-se com o linho fresco da névoa, libertando o rude odor das coisas decisivas.
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| Léonard Misonne, Staubiger Weg, 1897 |
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| A. Barbichon, Givre et Brouillard, 1896 |
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| Vincent van Gogh, Casa de campo con árboles, 1885 |
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| Edouard Hannon, Die letzten schönen Tage, 1897 |
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| Frenchman and American advancing in to No-man’s land with Sacks of Hand Grenades, France, 1918 |
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| Karl Greger, Ein Abend Bei Dordrecht, 1892 |
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| Otto Ehrhardt, Untitled Landscape with Birch Trees, 1903 |
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| S. Rothenfusser, Aufnahme von S. Rothenfusser, München, 1899 |
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| Jaime Morera y Galicia, Cabeza de Hierro. Guadarrama, 1891-97 |
| Gustav E. B. Trinks, Farbige Schatten, 1902 |
| Daniel O'Neill, Returning home, 1956 (Gulbenkian) |
| Maria Benamor, A Memória e o Sonho, 1971 (Gulbenkian) |
| Karl Greger, Sur la plage (Pays de Galles), 1897 |
| Nicolaus Schindler, Puszta-Motiv, 1908 |
| Fernando Pissarro Gambôa, Terra Perdida IV, 1982 (Gulbenkian) |